Piezography Warm Neutral inks have a silver bromide appearance reminiscent of that slightly "greenish" cast as found in the older Agfa papers.
Piezography Warm Neutral is our most recent Piezography ink tone.Yet, Piezography Warm Neutral in some ways, is the "original Coca Cola" of Piezography. When we first introduced Piezography in 2000, we introduced it with PiezographyBW Warm Neutral ink. Later in 2002, we vastly improved our ink chemistry and introduced PiezoTone Warm Neutral. Piezography Warm Neutral K7 was introduced about 2009.The best way to describe Warm Neutral is that of a warm photographic gray similar to the bromide or slightly azo greenish surfaces of yesteryear. Warm Neutral allows the strength of the photograph to come through in a way that is very familiar. It is a visual neutrality that is different than printing with Piezography Neutral. It is probably one of the most versatile inks we sell. Like all Piezography inks it can be made to be warmer or cooler depending upon the paper that it is printed on.Warm Neutral inks produce a black and white tone that is simply a very natural photographic color; one that will be familiar to just about anyone who used to do darkroom work. For a near perfect Agfa Portriga replicant - use Piezography Warm Neutral Glossy option on JonCone Studio Type 5 paper.Like all Piezography ink sets, this ink is metamerism-free and has an encapsulated pigment particle that is unique amongst all third-party inks and is considered as non-clogging as the OEM. When printing on matte papers, the Neutral K7 Shade 1 black is used. When printing on non-matte papers (including Baryta papers), the MPS Warm Neutral Shade 1 black is used in conjunction with Piezography Gloss Overprint.This ink set is designed to be used with the Piezography media profiles and QuadTone RIP. Please see the Instructions tab for a full explanation of its use.You can expect to reach a dMax of 1.65 on matte papers such as JonCone Studio Type2 and Hahnemuhle Photo Rag. When glossy printing according to our directions you can reach dMax levels as high as 2.80. Piezography Glossy produces a finish in which you will not be able to tell where the inks end and the paper begins. When used as directed, it produces a uniform surface without any gloss differential nor bronzing.
Piezography Warm Neutral is our most recent Piezography ink tone.Yet, Piezography Warm Neutral in some ways, is the "original Coca Cola" of Piezography. When we first introduced Piezography in 2000, we introduced it with PiezographyBW Warm Neutral ink. Later in 2002, we vastly improved our ink chemistry and introduced PiezoTone Warm Neutral. Piezography Warm Neutral K7 was introduced about 2009.
The best way to describe Warm Neutral is that of a warm photographic gray similar to the bromide or slightly azo greenish surfaces of yesteryear. Warm Neutral allows the strength of the photograph to come through in a way that is very familiar. It is a visual neutrality that is different than printing with Piezography Neutral. It is probably one of the most versatile inks we sell. Like all Piezography inks it can be made to be warmer or cooler depending upon the paper that it is printed on.
Warm Neutral inks produce a black and white tone that is simply a very natural photographic color; one that will be familiar to just about anyone who used to do darkroom work. For a near perfect Agfa Portriga replicant - use Piezography Warm Neutral Glossy option on JonCone Studio Type 5 paper.
Like all Piezography ink sets, this ink is metamerism-free and has an encapsulated pigment particle that is unique amongst all third-party inks and is considered as non-clogging as the OEM. When printing on matte papers, the Neutral K7 Shade 1 black is used. When printing on non-matte papers (including Baryta papers), the MPS Warm Neutral Shade 1 black is used in conjunction with Piezography Gloss Overprint.
This ink set is designed to be used with the Piezography media profiles and QuadTone RIP. Please see the Instructions tab for a full explanation of its use.
You can expect to reach a dMax of 1.65 on matte papers such as JonCone Studio Type2 and Hahnemuhle Photo Rag. When glossy printing according to our directions you can reach dMax levels as high as 2.80. Piezography Glossy produces a finish in which you will not be able to tell where the inks end and the paper begins. When used as directed, it produces a uniform surface without any gloss differential nor bronzing.
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